Aptucxet Trading Post

On Wednesday, July 27, 2011, at 7:00 pm the Homegrown String Band will be presenting a free outdoor concert at the Jonathon Bourne Public Library in the historic town of Bourne, Massachusetts. Though the town wasn't officially incorporated until 1884 the area had been an important gathering place for centuries before. In 1627 the Pilgrims established the Aptucxet trading post on a site known as Manamet, "trail of burden carriers," by the native peoples. Today the town situated on Buzzards Bay is known as the gateway to Cape Cod.

On Thursday, July 28, at 7:00 pm the band will be playing a free indoor show at the Oliver Wolcott Library in Litchfield, Connecticut. The OWL is named in honor of Declaration of Independence signer Oliver Wolcott, a brigadier general of the Connecticut Militia during the American Revolution, and former governor of Connecticut.

Charlie Poole by Tracy Bigelow Grisman

A few years ago we (The Homegrown String Band) were playing at a bluegrass festival headlined by David Grisman. I found a beautiful water color like print of a famous photo of the Carter Family at his merchandise table. I couldn't resist. I bought the print, framed it, and hung it up in my music room right next to an 8X10 photo of Tommy Jarrell and Fred Cockerham given to me by the late Ray Alden. The painting was made by Tracy Bigelow Grisman; a talented artist and musician from Petaluma, California . She has a web site, called OldtimeyArt.com, where you can see and purchase her beautiful prints of old-time country and jazz musicians.

Last week I was rummaging through eBay, looking for banjo ephemera, and I came across an auction for an 11X14 print of Charlie Poole done by Tracy. I won the auction and Charlie is now hanging with the Carters in my music room. I hope the Carters don't mind hanging out with this hard drinking rounder from North Carolina; Maybelle put up with Johnny Cash so I guess she'll be OK with Charlie. While the Carter Family advertised their shows as wholesome and "morally good;" Charlie Poole was at the other end of the spectrum. This hard drinking millworker made his own whiskey and played with his band, the North Carolina Ramblers, at speakeasies, mining towns, and lumber camps around the Piedmont area. Like the Carters, Charlie was an innovator, blending traditional mountain music with the popular music of the day. His three finger banjo picking was a precursor to the bluegrass banjo style made popular by Earl Scruggs. The music of Carter Family and the North Carolina Ramblers laid the foundation for the bluegrass bands of the 1940s and 1950s—and the Homegrown String Band.


Charlie Poole Music
You Ain't Talkin' to Me: Charlie Poole and the Roots of Country Music

Carter Family Music
The Carter Family: 1927-1934

Read about the musical contributions of Charlie Poole and other Piedmont textile workers to the development of American roots music.
Linthead Stomp: The Creation of Country Music in the Piedmont South

Lewes Delaware

 

On Tuesday, July 19, 2011, The Homegrown String Band will be returning to the ocean resort town of Lewes, Delaware. Located on the Delmarva peninsula, the city of Lewes (pronounced Lewis not Lews) was founded by Dutch colonists in 1631 and is known as the First City of the First State. The concert is free and starts at 7:00 pm in beautiful Stango Park.

Bradley Kincaid

Today would have been Bradley Kincaid's 116th birthday. Born on July 13, 1895, in Garrad County Kentucky, the boy who learned how to play guitar on an instrument acquired in trade for a foxhound would eventually become known around the world as "The Kentucky Mountain Boy." In 1926, Kincaid made his first appearance on the WLS National Barn Dance radio program in Chicago. Originally booked by the station, which was owned by Sears Roebuck (the "World's Largest Store"), as part of a college vocal quartet, Kincaid was soon given his own time slot to sing his repertoire of Kentucky folksongs and ballads. He stayed at WLS for four years before moving on to other radio stations around the northeast. Kincaid published a popular song book called Favorite Mountain Ballads and Old Time Songs, which he  promoted and sold on air. He also recorded 95 songs, including the first commercial recording (2/27/28) of  Child Ballad #84 – Barbara Allen.

Barbara Allen by Bradley Kincaid

Pickin on a Park Bench

I guess pickin' in the park is the modern urban/suburban version of front porch pickin'; an opportunity to get out, get some fresh air, and share your music with your neighbors. One of my fondest memories of growing up on Long Island was our Sunday summer excursions into NYC during the mid to late 1960s. My dad would load the family up in the station wagon for an hour long drive into Manhattan. Once we got into "The City" we would head down to Greenwich Village, wander around the shops and art galleries, and listen to the city folk playing blues, jazz, and folk music in Washington Square. The day would usually end with dinner at Jimmy's, our favorite Chinatown eatery.

In this video I'm playing the classic American folk ballad "Wild Bill Jones" in clawhammer style on my Wildwood five string open back banjo. I guess "Wild Bill Jones" falls into that ever popular murder ballad category I mentioned in a previous post. A version of the song, as sung by Viney Norton of Big Laurel, North Carolina, was collected by Cecil Sharp in August of 1916. The first commercial recording was made in New York City on April 24, 1924, by Eva Davis, accompanying herself on the five string banjo, of course.

Concert Review and Flatfoot Dance Video

Here's a video and some excerpts from a newspaper article reviewing a show we did a couple weeks ago at the Pearl River Library.

The Sound of ("American Roots") Music Comes to Pearl River

The Homegrown String Band performed to a full room on Sunday at the Pearl River Public Library . . .  From the very start, Rick “Rooster” Jackofsky held the crowd’s attention with his natural storytelling ability and encyclopedic knowledge of the history of American roots music. Georgianne, Erica and Annalee had the crowd clapping along to their down-home style of Appalachian clog and buck dancing . . . “What a fantastic show!, I love that they are a family performing together as a unit. It’s wonderful" . . . "When I heard that they were performing at the Pearl River Public Library, I knew we had to go,” . . . One of the many stickers that adorn Jackofsky’s well-traveled guitar case is a quote from Jimi Hendrix: “Knowledge speaks but wisdom listens.” And, people listened, intently.

By Rose Croke, The Pearl River Patch  (Read the full article) 

The Homegrown String Band

Happy Birthday Big Bill Broonzy

Big Bill Broonzy was born on June 26 somewhere in Arkansas in either 1893,1898, or 1903. His sister cited the earlier dates, but according to research by his biographer, Bob Reisman, the later date is the correct one. Either way, today Big Bill "Key to the Highway" Broonzy would be well over a hundred years old. After serving time in the Army during WWI, Bill headed up the Mississippi to the bright lights and big city of Chicago. Broonzy, along with his friend and musical partner Tampa Red, was a prominent figure in the pre-war Chicago blues scene formed by and for the relocated southern blacks who migrated up the Mississippi in search of a better life. They say Muddy Waters discovered electricity, creating the first modern electric blues combo, but Big Bill was probably the first Chicago blues man to incorporate electric guitar and drums into a blues ensemble. Big Bill Broonzy represents the musical link between rural bluesmen like Charlie Patton, Robert Johnson, and Son House, and the post war urban blues of Muddy Waters and Little Walter. Broonzy was the last minute country blues substitute for Robert Johnson, who disappeared shortly before the show, at John Hammond's famous 1938 Carnegie Hall "Spirituals to Swing" concert. Big Bill passed on August 15, 1958, at the age of 55, 60, or 65.

I Feel So Good: The Life and Times of Big Bill Broonzy

Introduction to Big Bill Broonzy

Young Big Bill Broonzy 1928-1935