Don't Let Your Deal Go Down

Rick and Erica performing Don't Let Your Deal Go Down from our 2007 CD Ragged but Right.

Ramblin Rooster Rick

I was ramblin' through some old Mp3 files on my computer and found this solo banjo piece from our first CD Blind Dog Thumpin' on the Porch (2000). It's called Ramblin' Hobo. I learned it from the playing of Doc Watson and his father-in-law Gaither Carlton. This "little ditty" is a cool tune in an odd F tuning (fCFCD). It's easy to get into this tuning from double C, just drop the two G strings down to F.

Ramblin' Hobo, to me, personifies the unique (and sometimes strange) percussive, melodic, rhythmic, and harmonic qualities of old time banjo. Playing the banjo can be a grand adventure in self expression and artistic freedom. This song lends itself perfectly to the type of individual interpretation that makes playing the banjo so much fun. It's like a puzzle whose pieces can be rearranged to form different pictures. . .  There I go ramblin' again.

Ramblin' Hobo by Rooster Rick

The Banjo Lesson

Piece of Banjo History

Banjos, Murder, & Moonshine

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Banjos, Murder, & Moonshine

For some reason it seems that banjo players have always had a fascination with murder. Is it because they are constantly being threatened with the possibility of meeting an untimely end, or maybe they are just a morbid group, who knows. In any case, solo clawhammer banjo and vocal seems to be the way to go when it comes to murder ballads. On July 29, 1927, in Bristol, Tennesee, at the same recording session that would launch the careers of The Carter Family and Jimmie Rodgers, a banjo playing barber from Kentucky named B.F. Shelton recorded four tunes including two classic murder ballads. He chose the cheery "Pretty Polly," an Americanized version of the English murder ballad "The Cruel Ship's Carpenter," and the All American moonshine murder ballad "Darling Cora."  Doc Watson's neighbor, Tom (AKA Clarence) Ashley, recorded "Little Sadie" and "Naomi Wise" in 1929. The list goes on and on with murder ballads being prominently featured in the repertoires  of many early banjo players including Samantha Bumgarner, Dock Boggs, Bascom Lamar Lunsford, and Buell Kazee. I've kept up the tradition by including "Pretty Polly," "Darling Corey," "John Hardy," and "Little Sadie" in my solo performances.

Several years ago I decided to write a new murder ballad, God knows there is no shortage of dastardly deeds to tell a terrible tale about. I decided to compose my murder ballad based on a murder that took place in Berlin, NY, in 1845. This was a time when banjos were just beginning to be manufactured commercially and the instrument of African origin was gaining popularity in mainstream America. I found the grisly details, along with a 24 verse broadside that was hawked at the execution of Henry G. Greene, in "New York State Folktales, Legends and Ballads" by Harold Thompson. Greene, who murdered his wife of one week, Mary Wyatt, with a lethal dose of arsenic, confessed to his terrible crime only after being found guilty and sentenced to hang. In a final act of repentance, Henry sang "Rock of Ages" as he stood upon the gallows. I borrowed some verses from the broadside, added some of my own along with a spooky sounding minor tune, to come up with my version of The Ballad of Mary Wyatt.

Listen to The Ballad of Mary Wyatt by Rick Jackofsky

Watch a video of Rick Jackofsky performing Pretty Polly

Buy the Mp3 or the book

The Ballad of Mary Wyatt

New York State Folktales, Legends and Ballads


Photo by Ed Neale